Sunday, October 25, 2009

Neil Patrick Harris Mug of Pure Awesome

Normally I don't just post about a product I've put up for sale but this mug is just too damn awesome not to share.  So here it is, available for sale on http://alexmmr.etsy.com/  [quick update - this sold a couple of days after I posted this.  And my etsy store is closing in favor of Artfire]




What does NPH have to do with a mug that doesn't even have his picture on it? I'll tell ya. The lifespan of this mug will mimic the awesomeness of NPH's career.

It starts out as a serviceable mug. It does it's job of carrying your coffee around the office. It's a little bumpy, maybe even a little funny lookin. Co-workers will comment that it's a huge, bumpy mug you got there. But you know how inherently awesome it is, so you soldier on, a fan of your mug.

But you get sick of the comments so you take it home. And it continues to do it's job. Graduating from coffee to cocoa with marshmellows. Eventually growing into the mug that holds a days worth of soup when you're sick. Such a great mug, always there to do just what you need it to do.

Then it starts to appear in the office again. You boldly proclaim the awesomeness of your mug while your coworkers scoff that it was a childish novelty that can't possibly be so great as an adult.

But then they start to realize it's true power. Your mug sets you apart. Everyone knows when they pass by your desk and see this mug, that someone bold and brazen sits there. They see the wonderful colors cascading inside the mug. You have not wavered in your fandom for this mug and now the mug itself is seen as the true meaning of awesome! And you are the visionary who saw it's potential from the beginning!

Your coworkers now bow down to your mug in the break room, for they know that when you proclaim that you get the first cup of coffee, it means you get the ONLY cup of coffee! You're pounding it 28 fluid ounces at a time! And when your mug leads you to that coffee maker, all others cower in fear. No ordinary mug can stand beside your NPH Mug of Pure AWESOME!!! World domination is imminent!!


*ahem* Excuse me. Here are the technical specs:
Holds 28 oz

5 inches tall by 4 inches in diameter

Black glaze that bursts blue randomly throughout

Nice big handle for that man size grip

Thrown on the pottery wheel, altered, fired to cone 6

Safe for the microwave, oven, and dishwasher



Are you awesome enough to own such a mug?

Saturday, October 24, 2009

Religion on the Potter's Wheel

I wrote this for a religion based blog but it's certainly apropos here as well.

One of the things that makes me feel very centered, grounded, and spiritual is creating pottery on the potters wheel. Whenever I sit down with a lump of clay and allow it to spin between my fingers, the world goes away. It’s very rhythmic, tactile, and there’s a different kind of thinking that occurs when I’m doing it. It’s kind of like my brain separates into two processes. My constant inner monologue slows down and just kind of randomly pops up and flows freely while another process, one purely made up of feel takes over and guides the clay around in my hands. I don’t think about squeezing a little tighter or grabbing that tool to cut off the top, it just kind of happens.


As with any interest in life, I started seeking the knowledge of other people. I’ve read some books and have joined some pottery mailing lists online. I’ve found all sorts of little tidbits that have made my experience on the wheel more successful and more enjoyable.

Imagine my surprise when I learned that I haven’t actually been doing pottery for the last 20 years. You see, on these mailing lists, there are a lot of professional potters who have made clay their life’s work. According to some of them, you’re not a real potter unless you dig up the clay from your own backyard, study years worth of chemistry to be able to mix your own glazes, sit up for 2 days at a time to stoke the wood burning kiln that you built yourself and have a degree in welding so you can make your own tools.

Dude, that’s hardcore. I’m not hardcore.

According to the professionals on the mailing list, since I don’t make vases that are 6 feet tall, I’m not worthy. And since my pots are generally pretty simple and not deliberately out of whack in some way, I have no artistry.

Many of the professional potters encourage you to make 100 mugs all the same size and shape as a means of improving your skills. I’m sure after making 100 mugs that are all the same size and shape, I would be very good at making that particular size and shape of mug. However, I have no desire to sit at my wheel for hours to make those 100 mugs. And because I don’t have this level of dedication to my craft, I have no right to make pottery.

For a while, these guys really got to me. I would go out to my little studio, look at my clay, and my store bought bottles of glaze, and feel unworthy to make myself a bowl. It was as if all of these people were watching over my shoulder and shaking their heads in disgust because I didn’t place my fingers on the clay exactly how they think I should. I was cheating because I used a Giffin Grip to center my pots on the wheel rather than spending countless hours and countless ruined pots learning how to tap them to center. They were so insistent that things be done the way they wanted them done that they acted as though if I did not use their exact methods, I was causing them physical injury!

Suddenly my once joyous hobby was now soured by countless disapproving faces and opinions, all of whom I would never, ever see. When I sat down at the wheel, my inner monologue started quoting all of the rules and regulations of what makes a good pot at a million miles an hour. I didn’t step into my pottery studio for several months because of they disapproved and I couldn’t enjoy the process anymore.

Then I started really looking at the pots created by these experts that everyone called stunning and truly art. I wanted to see the beauty that they all saw. However, by and large, I saw a bunch of lumpy, brown piles of poo. At first, this really reinforced that I was an idiot. Why could I not see the artistry that everyone else was seeing? The thought of owning one of these pots that others so coveted was unappealing. And the sculptures, ewwwwwww! Does the world really need another pointless asymmetrical thing that looks like a sea urchin puked up its innards? Dusting that thing must require hazard pay! How would that piece of artwork enrich my life?

Then it occurred to me – None of these disapproving people are ever going to see my pottery. They’re never going to watch me create that pottery. And even if they did, if they think that lump of bumpy barf is beautiful, do I really care what they would think of what I create?

I had allowed the opinions of a bunch of faceless names on a mailing list to take my joy away from me. Just because I can’t make 50 mugs in an hour doesn’t mean I can’t make a pretty mug. I like my mugs. I make them about double the average size of what you can find in Walmart because when I drink coffee, I want a big cup. And do I really want to be able to make 50 mugs an hour? I would be spending all of my time driving around to buy more raw materials, hauling tons of clay into my studio, then loading and unloading kilnload after kilnload of matching mugs instead of enjoying that feeling of clay sliding around in my hands.

I’m back in the pottery studio now, and I enjoy it again. I don’t allow these people to look over my shoulder and tell me what I should and should not be doing and instead I simply enjoy the process again. I’ll spend about three hours at a time and I’ll make 3 mugs (of different shapes and sizes), 2 bowls, a couple of little dishes to put cat treats on, and maybe a goblet or two that don’t match. So far, drinking out of my mugs of various sizes and eating out of my bowls of different shapes hasn’t killed me. And no one has sued me for medical expenses because I used a tool to hold my pots rather than tapping to center. Once again, pottery is enriching my life in the way that I want it to.


So what the heck does this little diatribe have to do with religion? Well, religion is like art. Someone will always be happy to instruct you on how you should go about it. Like art, the reason to have religion is to enrich and improve your life. And like art, everyone has an opinion and many are adamant that their way is the only way to go about it. But sometimes, even what the “experts” most covet and what their adamant instruction is leading you to is just a pile of poo.

Friday, October 23, 2009

When Pigs Fly

Not a whole lot to say about pottery today.  Unfortunately, I don't have the brain power for much of anything.  That's because my husband I both have.....swine flu.  No, I'm not kidding. 

We're fine.  We're generally healthy people and we aren't in any of the danger groups.  We caught it right away and started meds immediately.  But I still can't believe I had to call in sick due to swine flu.  Tell me, how many employers are actually gonna believe that one?  But it's true.  We're quarantined for at least a few more days.

So until my brain approaches something close to working, here are some pics of Buster to tide you over.



This was a rousing game of "are you coming in or staying out?"
This is why I'm picking cat hair out of all of my clay.  Shortly after this, he took a nap with his butt right up against the freshly made handles.  Oh well, it burns out in the kiln.
I get kisses
and I give kisses

Tuesday, October 20, 2009

More randomness

Selling tip - Amazon now allows non amazon items to be in your wishlist.  You just grab the link they provide and as you're websurfing, you click on the link and it clarifies what item on that page you want on your amazon wish list.  Now all your friends know to buy you that special glaze from the shop across the country.

Pssssst:  you can add stuff from my etsy shop to your list if you want.  here

And now back to random crap in my studio.



Shop towels.  I LOVE THEM!!  They are thicker and lusher than papertowels but otherwise function the same.  These will smear the clay off your hands pretty well when the phone rings while you're in the middle of throwing.  I get mine at costco.  And yes, this one individual does go through a coscto size package all on my lonesome.



This is an old cd rack.  When I'm throwing mugs with the insertable bats (more below) the mug and bat fit perfectly on this.  And it's easy to cover all at once with a giant garbage bag or leave to air dry.  Got it for a buck or two at the thrift store.  The bottom is cased in concrete so it don't tip over.

I love this bat system.  I mostly throw mugs and cereal bowls and I don't need 10 inch wide bats for that.  With this, I just pop a small bat into the square, throw, and then pop that bat back out and set aside.  Brilliant!  Space is major commodity at my studio so anything that saves space makes me happy.


Pegboard.  Brilliant!!  Thank you previous owners who lined a wall of my studio with the stuff.  I'm one of those people that if I can't see it and grab it immediately, it may was well not be there.  Look at all the crap hanging on my wall.


These are brilliant as well.  Pegboard shelves.  The perfect size to set a drying mug on when I need to get it out of the way.  It's a place for little things like my clay inkstamppads, or the flower pot that I'm going to do something with some day, honest!  Or to hold the random rolling pin.
I'm still trying to figure out how to do the protography for my etsy site.  This was one option.  I just ordered a table top light tent kit which comes with lights and stuff we'll see if that increases the quality at all.  Tell me, when you're shopping for this kind of thing, what do you want to see in the pictures?  What's important to you?  This was taken on my bar with a blue suede jacket toss over a shelf.  The bar provided most of the light and I put tissue over my flash to diffuse it.  They say the flash is pure evil but it was really the only way to properly light the darned thing.  What do you think?

Please comment below!  My ego is fed by your comments and it's getting hungry!

Monday, October 19, 2009

Random tips and things from my studio


So a few random things about my studio that some might consider tips or tricks.

What you're looking at here on the left is how power gets into my studio.  It was like this when we moved in.  There's a light switch which turns on power to the rest of the outlets immediately adjacent.

Odd thing to blog about I know.  But I have it here because I need a space heater in my studio but space heaters are notoriously dangerous.  And since I need to heat the studio for a while before I actually enter it, I get nervous that I'll leave it on, forget it's on, and have a burned down studio several days later.  So I plugged it into this outlet.  It only turns on when I actually have the light on.  Because the light shines into my bedroom at night, no risk of me forgetting it's on!

Here is said space heater.  It's up on a table because the power cord to reach the outlet that's on the ceiling is kinda short.  I used those wire shelving things that everyone seems to use in college to build a little cage around it.  Now I'm less likely to knock it over and I can put drying pots on the shelf above it to speed things up a little bit.



Ok, let's talk lids.  I often throw them right side up.  Use about twice as much clay as you want in the actual lid and then carve the big pad of clay off the center when you trim it.  And I roll the rim over to make it thick and strong.  I also tend to make my lids on the large side because it's very easy to shave them down once everything has dried but you certainly can't expand them if they are too small.  And I guess that's the only advice I have about lids.

This is one of those nets used to strain paint.  The top is held open with an embroidery ring.  The ring is then set on top of two posts from my pegboard.  What possible use could I have for this?

Reclaiming clay!  I scoop all of my slurry and trimmings from the reclaim bucket into this bag.  Of course it has a bucket underneath it to catch all the icky the oozes through it.  Because I don't reclaim massive amounts of clay, and this bag will hold almost a full bucket, it's just the right size for me.  And because it hangs in the air yet with a nice net around it, it dries evenly all the way around and nothing gets into it.  The day after I put the slop in, I scrape the outside of the bag to get rid of the semi dried clay that is now attached the outside.  This way when it dries enough, I just turn it upside down and peel the bag off and the bag is not actually embedded in the clay but rather sits around the clay.


I had a problem where all of my pots would get little clay crusties embedded into their feet.  My whole pottery studio is coated in a layer of clay so there's pretty much no place to put finished pots where the crusties won't attack.  So I bought some bisque tiles to set things on when they are finished.  Haven't needed to clean them yet and the crusties have stayed away.  Yay!

I hope this gives some of you ideas of how to solve the problems you run across.  More silly ideas tomorrow!